Revela y conserva secretos, reformulándolos para su transmisión. Construye un medio que activa y enfoca la energía sonora. No hay dogma ni géneros aislados. La comunicación depende de la multiplicidad de mensajes en el océano sonoro. La ausencia de fronteras permite la asimilación, el reproceso y la recombinación del sonido hasta obtener nuevos significados. La música se libera del ciclo de producción-comercialización y adopta a la mutación como estructura y forma.

la música es materia el proceso es composición

7/9/18

escalator by simulacro: featuring nurs


Everything is garbage.
There's nothing there.

The only people are hiding from the world.
Seemingly not there, but there.
They watch to the cracks.
Hoping no one can see them.
Pretending not to be there.
I just wanna look.

Without me saying anything, they recognize me and I recognize them.
They know I'm like them.

It wasn't always like this.

There was a parade.
Everyone marching slowly like walking.
Skipping on that carpet, in this bright light.
Brightly lit.
Looking perfect and spotless and pretty.
Everyone smiling and shining.
Looking confident.
On an escalator that's just going up forever.
Each their own Donald Trump or Ivanka.

A picture of them.
I don't know how or when.
Not on it anymore.

They broke you slowly, over and over again.
So slowly you couldn't tell.
Cracking at first.
Cracking more.
And becoming weaker until they finally pushed you off.
Or you fell off?

You're not there.

Now you're dead or half dead.
Might as well be dead.
On the floor.
In pieces.
You can't put yourself back together.
Maybe you can grab a few pieces with your broken hands.
And that's it:
that's you.

They're fine tough.
Better than ever, actually.
The light is brighter.
The smiles are wider.

Everything up there is so good.

I don't even think they know.
They don't know what they did.
Willfully ignorant, or just ignorant.
It doesn't matter.
They don't give a fuck.
It doesn't matter to you either now.
If they found out they wouldn't believe it.
They can do no wrong.

And now you're here.

Was the escalator even leading anywhere?
Everything made sense.
Now nothing makes sense.
Nothing works.
You had this work.

You fell or they pushed you off the ledge?

Maybe it wasn't even leading anywhere.
Are there people still on it?
Do they just stay on it forever?
You can't see them anymore.
Maybe there was no one on it.
At least not that you can see.

And you can barely see that procession.
You can hear it.
It's in the distance.

Was it ever even there?
Maybe it never happened.
Was it real?
If it happened there was no pat on the back.
There's no evidence.
Nothing to show for it.
Didn't work out.

Now it's gone.
No one says:
"you did it, you were on there for a little while".
There's no cookie.
No reward.
It's just a "fuck you".

On that plateau everything made sense.
Nothing to question.
Everyone going somewhere.
Everyone's happy about it.
Not Anymore.

They gave you their sickness.
Made you believe you are less then
made you believe you are sick.
Like you're nothing.
Less perfect.

You can't see the people anymore.
Things don't work anymore.
Didn't work out.
Now it's gone.

Was that ever real?
You can only see what's in front of you.
Which is this hollow shit made of nothing.
People in hollow spaces pretending you're not there.
That's your world forever.


credits
released September 6, 2018
voice and lyrics by nurs (nurs.bandcamp.com)
sonic materials by simulacro:

cover from a photo by Stig Nygaard
www.flickr.com/people/10259776@N00
File:Copenhagen Metro escalators.jpg
license
some rights reserved
https://archive.org/details/rlsm02a

1/12/17

simulacro: simulakro

simulacro: construcción, síntesis FM, amplificadores. Marzo-Noviembre 2017. San Luis Potosí, México.
https://archive.org/details/rlsm07

21/9/16

simulacro: profecía fallida

simulacro: profecía fallida 
Demodulador De Espectativas 
Reacción Ficticia 
Calabozos Y Amplificadores 
Conspirantretenimiento 

simulacro: construcción, síntesis FM, amplificadores. 
Enero-Agosto 2015. San Luis Potosí, México.

descarga: https://archive.org/details/rlsm06
 

18/9/15

Simulacro: no. 5

En Leniro ja viquueso mbre hos loquest spe diahanost a dula
sesantelav es esta zepanando ens scad. Ellon nascienerm pe
ladidinamoh el ed obleniso mav tobje le na nuracifacr: sa
nurega lle sembrah y sostontimiecon. Ecod rdoved desquabo a
Lunva, sueloqu dod nimehol sa rumaprisal, ne rofon elio a lo
herohoquindo, buasasa lluro rop etol rardiego de acona scay
ud dirnot le odo turo pe err Tiesa quond motra da enenciran.

1. la revolución es el opio de los intelectuales
2. la dialéctica es el opio de los revolucionarios
3. la moral es el opio de los dialécticos
4. la academia nos hace creer que no existe arte fuera de ella

simulacro: construcción, voces, guitarras materiales/espirituales amplificadores. 

Abril-Septiembre 2015. San Luis Potosí, México.
no. 5 está dedicado a la Gruexísima Trinidad: PGS, RG, SG.


Creative Commons License

9/7/15

simulacro: cabalgando ruido


A. Jinete Blanco
B. Jinete Negro
New noises inspired from feedback techniques. San Luis Potosí, México. Julio 2015.


Creative Commons License

20/2/13

simulacro: cuatro ep

1. hangar 197 X  
2. nebulizador etérico
3. escudo cerámico
4. instrucción clasificada

Tiempo total: 20:09
*
simulacro: construcción y ensamble, guitarras materiales y espirituales, amplificadores y procesos.
registrolatente.blogspot.com, registrolatente @ archive.org

Enero - Febrero 2013
San Luis Potosí, México.
Imágen de portada a partir de: GPN-2000-001276. Cortesía NASA.
minimal thrash, drone metal

descarga: http://archive.org/compress/rlsm04ep
Creative Commons License

1/12/10

simulacro: 1997. Escape de Abstractia ep


1. aterrizaje en wtc 3:39
2. cápsula presidencial 4:27
3. un planeador sobre Leningrado 2:53
4. fusión nuclear 3:11

Duración total: 14:11

Estas piezas se construyeron a partir de improvisaciones con un pulso de metrónomo común.

Las partes son una reacción ante un agente ausente. La interacción y el conflicto son el producto de la superposición de dos capas sonoras. La interzona entre dos sustancias es el inicio de la comunicación.

*

These pieces were constructed from improvizations with a common metronome pulse.

The parts are a reaction to an absent agent. The interaction and the conflict are product of the layering of two sonic layers. The interzone between two substances it's the beggining of comunication.

*

simulacro: construcción y ensamble, guitarras materiales, amplificadores y procesos.

registrolatente.blogspot.com, registrolatente @ archive.org

Abril 2010 - Noviembre 2010, San Luis Potosí.
minimal thrash, drone metal


Imágen a partir de: X1, E-595. Cortesía NASA.

http://www.archive.org/compress/rlsm03ep

Creative Commons License

21/1/10

simulacro: una de vaqueros ep


Imágen cortesía de NASA: L-1973-00531, GPN-2000-001903

1. Domingo Leone 4:43
2. biwa fantasma 4:26
3. testigo criollo 3:19
4. el recuerdo de Armónica 5:01

Duración total: 17:31

Estas piezas se construyeron a partir de improvisaciones que posteriormente se editaron y reamplificaron. Experimentos para guitarra WAV. Inevitablemente hay descarrilamientos, explosiones, nubes de polvo y bandidos. Todos queremos ser el vaquero sin nombre.

El sonido se reconfigura y transfigura mostrando su naturaleza plástica. La representación digital crea nuevos medios y caminos. Libertad de la manipulación es la llave de la mutación.

*

This pieces were constructed from improvisations that were later edited and reamped. Experiments for WAV guitar. Unavoidably there are derailings, explotions, clouds of dust and bandits. We all want to be the no-name cowboy.

The sound is reconfigurated and transfigurated showing it's plastic nature. The digital representation creates new mediums and ways. Freedom in manipulation is the key of mutation.

*

simulacro: construcción y ensamble, guitarras materiales y espirituales, amplificadores y procesos.

Abril 2009 - Enero 2010, San Luis Potosí.

minimal thrash, drone metal



2/3/09

simulacro: ¡mono! ep


1. alpha niger 6:33
2. planetoide beta cuatro 3:15
3. mare magnum 4:48
4. cuatro cuervos 7:04

El tema de estas piezas es el sonido de guitarras amplificadas. Utilizan el sonido estratificado de las grabaciones de rock y el vocabulario sonoro e interválico del heavy metal. La consistencia rítmica y austeridad musical provienen del territorio formal del minimal techno. En su grabación se tomó como ejemplo la confrontación y el acabado urgente del harcore punk y la independencia del downtown neoyorkino.

El amplificador es el microscopio que enfoca, filtra y proyecta el sonido de las cuerdas. La realimentación es el equilibro entre la cuerda, la nota y el amplificador. La guitarra responde las preguntas.

Monotemático. Monodinámico. Monotonal.

simulacro: construcción y ensamble, guitarras materiales y espirituales, amplificadores y procesos.

Noviembre 2008 - Febrero 2009. San Luis Potosí.